Friday 27 May 2016

Dead again - A review.

I’ve tried very (very) hard to keep this review as spoiler free as possible. But I might not have succeeded. So maybe you should see the movie first.

Dead again - I love this movie to bits. I must have seen it over fifty times by now. I know this movie back to front. I've seen every frame. I listened to every syllable of audio commentary. I love it. Why? One may ask. Because I honestly believe this is the last Hitchcock movie ever made. Which, strangely enough, hasn't been made by Hitchcock.
No, the director was Kenneth Branagh. Best known for his Shakespeare addiction (and the fact that he arrogantly published his autobiography aged 29- sufficient to say, when I turned 29 I suddenly felt very old and unaccomplished). But why do I like this movie? Let me try to explain.

Directing the dead
Dead again is about a woman (Emma Thompson) who is a mute and without memory of who she is. Moreover, she has night terrors in which she relives an age old murder of a woman called Margaret Strauss. Screaming: "Disscher" as she awakens in fright. A private detective -Mike Church (Kenneth Branagh)- is brought in to find out who she is. Together with an antique dealer –slash- hypnotist (Derek Jacobi) they find out that the key to her identity can be found in her past life and with that they have to solve a sixty year old murder.
From that moment on the viewer witnesses two timelines. The present time with the investigation of Mike and the nameless woman. And -through hypnosis- the past leading up to the murder of Margaret Strauss for which her husband Roman was tried and executed.

This movie really is Kenneth Branagh trying to get a foot into the door of Hollywood. Here is a guy who can play Shakespeare the way it is supposed to be played. No question. But Hollywood is all murder and mayhem. How does a classical trained actor director tackle that? This was one of his first attempts.

Later on he sold his soul a bit by taking on Thor and Cinderella. But even there, one can't deny, he brought his skill set to make those movies way better than they ought to be. But then again he does seem comfortable making those big movies alongside pet projects like Mozart's the Magic Flute.

There are two kinds of directors in Hollywood. The Spielberg and Christopher Nolan kind who can pick up any project and make a successful movie out of it. And then there are the lesser ones who just do as they are told. Now obviously this is a lie.
If you make success after success, sure producers are willing to take a chance with you (e.g. Nolan’s Inception). But if you fail you are right back at the bench with the losers. It's like the great Orson Welles once said (to paraphrase): 

"Making movies is like painting a picture with amazingly expensive paint!".

So-in short- whenever you watch a movie you should ask yourself: "Am I watching a movie the director wanted to make?” “Am I watching a movie the director was orders/paid to make?” Or -the rare occurrence- “Am I watching a movie the director wanted to make and was ordered to do so?”

Dead again -I feel- resides comfortably in the first category. This was a script, Branagh wanted to make. And rightfully so. It is a simple straightforward story -which requires a bit of suspension of disbelief- that doesn’t pretend that it’s more than it’s supposed to be. So there’s a lot of freedom for the director to experiment. Not only to work out how to make an American movie. But also, how to deal with all the classic tropes of the Hitchcockian thrillers of yesteryears. And a chance for the British born actors (Thompson and Branagh) to try their hand at American accents.

One of the fun little meta jokes is during the introduction of Kenneth Branagh’s character Mike Church. His car –at that time- is at the wrong side of the road. Which is obvious because he’s a Brit.

The best example of this ‘experimenting’ comes from the flashbacks. Originally every scene that took place in the past was in color. However, test audiences, lost track of the various timelines. So, as a solution, Branagh decided to turn those scenes in black and white during post production. Suddenly the movie became far easier to understand. It sounds obvious. But this is one of those learning moments that the movie allowed the director.

His second attempt is even more interesting because it was the famous Mary Shelley's: Frankenstein. Which -strangely enough- is a movie everybody, but me, loathes. I never got why. I mean, it has everything. The story is right and truthful (you'd don't need to read the book anymore, really). And it has got the best -ever- performance of John Cleese.

Writing the dead
But then why do I love Dead again so much?

Dead again is a genuine who-dun-it. One of the last of its kind. Nowadays the genre has pretty much left the silver screen in favor of television –which is fine but I do miss those movies like the bone collector or Kiss the girls wherein the whole movie focuses on trying to solve the mystery, with a big revelation climax at the end.

But Dead again is a who-dun-it with a supernatural twist. The murder mystery isn’t up front in the sense of ‘a detective solves a murder that just happened’. No, the murder happened ages ago and by means of hocus-pocus-hypnosis the detective tries to solve it. Moreover, the movie relies heavily on the concept of reincarnation and plays it absolutely straight. This allowed the screenwriter Scott Frank a whole lot of fun to be had.

For instance: Actors who play sweet characters in the present are absolutely vile in their previous lives in the past (karma). And by only showing glimpses of the past story through hypnosis the screenwriter can get away with murder by introducing the element of unreliable narrating.

Once you’ve seen the movie and know who the culprit is you can rewatch it and suddenly you'll notice all those little tricks the script pulls to prevent the characters from learning the truth early on.
If you are interested in learning how to write a screenplay Dead again -I think- is a must see film.

True the screenwriter did take one or two shortcuts. For instance a rather convenient phone line-cut during the finale or Wayne Knight’s slightly spontaneous ‘memory loss’-story (really, the guy doing your research also had memory loss too? How convenient.) but you shouldn’t be bothered about that too much. The script has far many more ingenious tricks up its papered sleeve than you can shake a stick at.
As a final note I do wish to express my critique at the ghastly deadpan title ‘Dead…again’. It sounds far too much like a bad James Bond rip-off. Just from the top of my head titles like: ‘The Strauss murder’ or ‘Cut to the past’ (yeah a bit corny I know) are better titles.


The best example of this character-overlap is –unfortunately- also a spoiler. Branagh’s character was the woman Margaret Straus in his previous life. This woman was a bit clumsy at times. And, surprise, so is Branagh’s Mike Church.

Directing the living
Then there are the characters. Each and every part is cast to perfection. Which, in a movie that has supernatural mumbo-jumbo at its core, is crucial to make the story believable.
Branagh and Thompson (still man and wife at that time) show true affection for each other. Usually the love-story if often shoehorned in these kind of thrillers but here it works. Maybe because the two main actors were lovers in real life as well and therefore play of each other so brilliantly.

Emma Thompson got a lot of critique during those early years because she kept on popping up in her husband's movies (like Helena Bonham Carter nowadays in Tim Burton’s movies). So much so that there was even a little joke about her: Emma Thompson comes home and asks Kenneth: "Where are you?". He answers: "I'm in the kitchen!" "Great can I be in the kitchen too?".
 
But even the smaller parts are great. Wayne Knight –best known for his unlikable characters in Jurassic Park and Seinfeld- plays a sweet and caring reporter who is all comic relief. It might be a bit of a bit-part (he doesn’t really contribute much to the story) but his presence in never unwanted in this dark tale.

Then there’s the late Robin Williams who played what he could play so well: a smart, funny man in a serious part. There are only a few comedians who can do what he could do. Like the world’s greatest dad, Good morning Vietnam or even Mrs. Doubtfire -Williams had a knack for finding and playing parts that easily shifted between the hilarious and the tragic. This is a very underestimated skill.
Here as the ‘grocery psychiatrist’ he fulfills the function of explaining the plot to the audience. But he does it with such humor and darkness that he steals every scene he is in.

Moving on to Derek Jacobi and Andy Garcia. Each elevating their part higher than the words on the page seem to demand from them. Garcia basically plays a sleazeball but, in the end, he comes off as a rounded character that the audience can understand and even sympathize with.

On a small sidenote here. I you want to quit smoking one scene involving his character works way better than any nicotine patch on the market today.

Jacobi, then, brings all his natural charm to the table and becomes immediately likable and a bit of a hustler. Which, I think, is a great characteristic for the hypnotist character because otherwise he would really come across as a Jesus-like savior character. It’s great that Jacobi’s character has faults and the actor relishes in playing them.
 
And, finally, there are the two bit parts. Campbell Scott shows up as the (slight spoiler) fake-boyfriend. And Miriam Margolyes as one of Jacobi’s clients. These two roles are obviously favors for Kenneth Branagh but none-the-less executed perfectly. Campbell Scott even gives the best: ‘oh-shoot’-giggle I’ve ever seen on screen.



What's a thriller without a creepy kid?
If I have to mention one big fault in this movie it has to be Jacobi’s casting. I love the actor to bits, however, he is known to us movie-buffs as the stuttering Claudius from I Claudius.

According to the DVD-commentary Jacobi was cast last minute (Friday they called him, Monday he started shooting).

But, of course, the minute the movie tells us that stuttering little Frankie is the murdered anybody who knows Jacobi’s previous work knows what’s going to happen. The big reveal isn’t much of a reveal anymore.On the other hand, it’s always great to hear Jacobi stutter once more.

On a side note: According to legend Jacobi had to take speech lessons after ‘I Claudius’ to get rid of his stutter once more. Talk about dedication.

Sounds from the grave
The music is amazing as well. Great to listen to on its own merrit. But even more effective when it underlines the images on screen.

For example: The first big wall of sound explosion at the start of the movie happens at the same time when the screen is filled with the word: MURDER! Immediately the audience is captivated and interested and the soundtrack doesn’t let go after that. Silent and slow when it has to be, but harsh and aggressive when the bloodshed happens.
My personal favorite moment is during the finale when the two timelines are shown side-by-side. On the one hand the present time in which a fight is going on and on the other the past time where the body is discovered. The music manages to change beautifully between aggressive action pumped fighting and melodramatic sadness within seconds. Marvelous stuff.

Shooting the dead
As I said before Dead again was pretty much an experiment on Kenneth Branagh’s behalf. So, during his audio commentary, he says –at one point: ”This shot took forever.” Which is the following moment:
A great tension shot. A woman is unconscious but awakens just in time to see a scissor speeding towards her. This point-of-view shot increases the tension greatly and makes the female character strong once again after being overpowered by the villain before.
And this is just one of the many great shots in this gem of a movie (I also love the murder-silhouette for instance).

And then there’s the set decorating. Because this is a movie that tells two stories in two different time periods. And because this is a movie where (slight spoiler) scissors are a highly important plot item. Dead again can’t help itself by letting these elements and timelines overlap. Desks and furniture that were present in the past pop up in the present. And there is always a scissor present somewhere in the rooms. This also makes the movie so much fun to revisit (time and again) because it is also a bit of a game spotting the overlaps or spotting the scissors.

So to sum it all up: Dead Again is one of the last great murder mysteries to grace the silver screen. It has a clever script at its basis, great performances, a stunning soundtrack and amazing shots. Go see it and try to solve the mystery of Dead again.

Fun fact: The DVD -which I own (lucky me)- is actually worth money because it is rare. Somehow this movie hasn't been printed enough times to make any bucks. So, like that rare upturned aeroplane stamp the DVD of Dead again is worth something (not enough to rob my house over though - just saying. Please don't.).

Game of Thrones –Season 6: five episodes in and I’m loving it.

How I’m loving the new season of Game of Thrones. We’re halfway through and –it seems to me- the showrunners have gotten every little memo I sent them.

A few weeks ago I wrote a lengthy article complaining about the things I disliked about the last season. And, I guess, I wasn’t the only one because all those little ‘mistakes’ are being dealt with.

Jon’s watch has ended.
Jon is back! We all saw this one coming from miles away but it was still handled great. We got some developments concerning Melisandre (or ‘Smelly-Mellie’ as she is now lovingly called) along the way. And, by the looks of it, the Wall-storyline has been wrapped up with a nice little bow (around the neck of poor misguided Ollie –poor chap). Jon’s watch has ended, time to move forward and help the Stark family, beginning with Sansa. Bring on the Bastardbowl (google it).

Sansa is done playing nice…again
Sansa has finally become a force to be reckoned with. True, Littlefinger still managed to coerce her into travelling to Riverrun –and we all know he can’t be trusted (plus he’s still responsible for the death of her father – when will she learn that?). But at least Sansa’s done playing the victim. The dear girl is out for blood. Heck I’m starting to believe that the minute Sansa is done with all her arse-kicking (poor husbands) even her little psycho sister Ayra might wonder if she hasn’t gone a bit too far.

Ayra in training…again.
Speaking of Ayra. Great she got her sight back. And by the looks of it the girl isn’t going to last much longer in the house of black and white (I bet she's going to join that theatre troupe). So let’s summarize her journey a bit: she got trained by Syrio Forel– the greatest waterdancer of Bravos. She got some practical training from the Hound. And now she’s learning to be some kind of blind samurai bo fighter from mrs. nasty.

I think it’s about time to set her up against a formidable foe because she's got the skill set by now. If Cleganebowl isn’t going to happen (I doubt it) Ayra versus Franken-mountain would be interesting

Bran is on the road…again.
Then there’s Bran. Now he was promised that he would learn how to fly two seasons ago. I haven’t seen that happen just yet. But he does have some kind of time travelling power going on. And now that he’s out of the cave it looks like he’s going south for the winter (Bran-with-a-tan?) to join in the fight.

I love how the show handled Hodor’s departure. No matter how crazy some of the show watchers on the internet can get Hodor is and was always a beloved character. The sweetest guy in the whole of Westoros and the show runners gave him a heck of a hero exit. Brilliant!

Like Ayra it is time to see him get into some true action. In short it’s about time to see the Starks fighting back – long overdue.

Rickon… oh dear.
And he was such a nice chap in Vicious.
Which brings me to the last surviving Stark. I’m a bit worried about poor Rickon. He never had the ‘plot armor’ his brothers and sisters had. He is described in the books as a bit of a dangerous fighting boy but that’s about it. Usually he’s in the background somewhere. So now that the dear prince is in the hands of the mad dog Bolton –without his protector and direwolf- I’m a bit worried that another Stark is going to bite the dust.
I hope not, but truth be told it would streamline the show a bit by removing this (sorry for saying it) unnecessary character. But then again, who knows, maybe Rickon will kick Bolton into the next…

Cersei is back in old form.
To move on to that other family: Cersei and her (a bit too) loving brother are back together again and she has absolutely decided to clean up her mistakes and take on the religious fanatics head on (oh how I love Jonathan Price’s character). Naturally I worry a bit about poor Tommen because, as we all know, it’s not a question of ‘if’ he’s going to die but ‘when’ (a bit like Robin-though he might -obliviously- survive it all). But, anyway, we got the Franken-mountain looking threatening every scene he’s in (the show even managed to squeeze a rather enjoyable fart-joke in. Which I find amazing because I honestly hate bowel-humor).

I do think it’s about time that Maester Pycelle starts to show his true colors though. I loved that deleted scene between him and Tywin Lannister wherein he stopped his old-man-routine. But because it was a deleted scene he’s still an old man in the canon of the show. I think it’s time to change that.

Dragons and witches oh my.
Mommy?
Tyrion and the spider are great as always. The true pillars of stability in the show. And now they got dragons and a Melisandre-deluxe at their disposal. And with Daenerys returning and maybe even Ayra on the way this is going to be fun. Moreover, in two episodes flat they stopped that annoying rebellion that somehow caused the death of the greatest swordfighter of Westeros. Great another annoying plotline off the list. 

And that’s the main reason why I’m loving this season: Plotlines are finally being tied together!

For instance the clearing of the table of unnecessary characters.
As I wrote before the whole Dorne plotline wasn’t up to scratch.

I do still wonder why the show decided to recast the princess last season. Because, when you get right down to it, the whole of her role consisted of looking pretty and die. I’m more than certain that the previous actress could’ve pulled that off as well.

The show fixed the Dorne storyline in the very first episode by killing of half the cast there (unfortunately also one of my favorite actors–Alexander Siddig- but that’s a sacrifice I have to live with). The annoying prick on Pike (Patrick Malahide - yes, I still haven’t forgotten your amazing villain performance in the Singing Detective) is dead and replaced by a bit more active aggressive prick. Great, now Theon and his sister have to pick sides and get going.

Speaking of pricks by the way, finally HBO have decided to show some male parts together with the woman parts. The whole: ‘There’s a wart on the dingdong’-speech last episode was utterly useless. But at least it allowed for some equality in the showing of skin department. Still don’t really see the need to show it in the first place most of the time but that’s fine.

What other plotline got solved? Dany is always fun (because she has dragons). But this time not only did the show fix the schism between her and her BFF Jorah. The show also had her captured and escape/ take power in no time at all. Game of Thrones is comfortably in the end stretch now and knows that this experienced Dany doesn’t dillydally with emotions and indecisiveness anymore.

Davos get killing!
Now, are there things I still dislike. Sure! Davos hasn’t gotten his vengeance yet for the murder of Shireen. Moreover, I haven’t really seen any true grief over the death of his ‘rightful king’. And we actually had Brienne tell him for a fact that it was she who killed him. His storyline is a bit weird here. So it would be nice if he gets some closure on these strands (which doesn’t bode well for either Brienne or Melisandre).

And then there are storylines the show has to get to. I’m still waiting for Gendry to finish his rowing trip, the men without Banners, and others. But hey, we’re only halfway and already the show fixed a heck of a lot of them.

Friday 13 May 2016

200+ phone tropes in popular media.

I came up with this idea when I watched Halle Berry's the call. This movie has a great premise, is quite thrilling and even rather intelligent. But be wary of the last act. I don't know what happened but somebody copy-pasted the wrong text. I sure hope that there's an alternative ending on a dvd somewhere. There has to be..

Anyway I started to think about the way phones are used in movies. In Dial M for murder, for instance, the whole plot hinges on the fact that the would-be-killer-by-proxy knows where the phone is. Nowadays the plan wouldn't work because everybody is mobile.

So I started thinking some more and before I knew it I was mapping the best known movie tropes concerning telephones into a nifty infographic.

As everything with me this started as a small project and quickly turned massive (probably more than I could chew). But I had fun making it.
So here it is: every usage of phones in movies from the start to the now. Enjoy.

Thursday 5 May 2016

Triangle (2009) explanation.

I was - once again- feeling creative.

There is a well known subgenre in movies lovingly called the mindf*ck movies. Those movies that like to play around with the intelligence of the audience by handing out (philosophical) mindgames or puzzles. So, for instance, Nolan's Inception. A movie that simply asks the audience: "About what you've just seen: What was and what wasn’t a dream?".

I personally enjoy these types of movies. Especially if they involve some sort of time travel like, again for instance, Primer.
But there are basically two kinds of mindf*ck movies. To use the comparison with a puzzle:

Type one gives you all the pieces and in the end the picture is complete. The movie pretty much ends completely explained with a string and a bow. At the end of predestination every little detail is explained. No problems or questions left. That is, if you paid attention.

The second type, however, doesn't give you all the pieces of the puzzle. In the end you can see what the complete picture -pretty much- represents but there are blank spaces left. Spaces left up to the viewer's interpretation. 

So, to take Primer, this movie willfully leaves out several key events. So if you were to draw a diagram about the events of the movie there are several blank spaces that can only be filled with some educated guessing. As some of the diagrams on the internet show, you can get pretty close. But in the end that's what it is 'guesswork'. You'll never know for certain.

Now. It's always easier to explain something by drawing it out then by verbally (or textually) explaining it. So there are various diagrams/infographics about movies like Inception, Predestination, Primer, Looper, Interstellar and others. If you -like me- are interested in reading about movies and finding out what other people think about it these are great expressions of that.

Which brings me to Triangle. This is another lovely mindf*ck movie that dares the audience to make sense of it all. But when I googled the movie I couldn't find any diagram or infographic to explain the movie. All I found were some cleverly written interpretations/theories about the meaning of the movie. So I decided to create my own infographic about this movie based entirely on the explanation given by Reddit user Atoramos (also read Pete's article -another great insight.).

I could explain the entire movie here and patch on a little review. But I think it is wiser to watch the movie for yourself first and then (and only then) take a gander at this attempt at art below. Because, naturally, this picture spoils the entire plot. Enjoy.

Disney heroes in court.

We all know how Disney villains meet their demise; usually through their own fault. But is this truly the case in all of them? In this little joke article I'm going to investigate each and every hero from the Disney (full length) movie database and see if they could be held responsible for the death of the villain. As if a judge I’m going to pass judgment on each and every one of these main characters from Disney movies wherein the villain ultimately met their demise (so, since Yzma from The emperor’s new groove didn’t die but was merely turned into a cat her case won’t be on this list). Other cases like property damage or traffic violations (I'm looking at you Wilbur) might only be mentioned in passing. The main focus here is on involuntary manslaughter, self-defense or, possibly, murder in the first decree. Attendants please rise: 

Self-defense

(…) This means that the person must reasonably believe that their use of force was necessary to prevent imminent, unlawful physical harm. When the use of deadly force is involved in a self-defense claim, the person must also reasonably believe that their use of deadly force is immediately necessary to prevent the other's infliction or great bodily harm or death.(wiki)

In short: if the defensive actions of the defendant (wherein the choice of fleeing was unavailable [this is a debatable issue]) resulted into the death of said aggressor the claim of self-defense can be made if the result of non-defensive actions would result into the defendants own death (or great bodily harm).

Mr. Basil of Baker Street, please rise.
It is the court’s ruling that you are found innocent of murder.
However, the fact that you -with your superior intellect- lured professor Ratigan to the edge of the clock tower mere moments before the bells struck do speak of a certain amount of predetermination.
However, since it was Ratigan's full intention to murder you first the court waves away the charges. Moreover the fact that Ratigan posthumously has been found guilty for the crime of high treason (punishable by death) we -the court- consider your actions to be justified.

Prince Phillip, please rise.
It is the court’s ruling that you are found innocent of the murder of Maleficent. Considering the fact that she was in dragon form at the time and trying to kill you weigh heavily in this case in favor of self-defense. However, considering the fact that miss. Maleficent at that time was -due to acts of war- the ruler of the King Stefan’s kingdom, you were in fact trespassing. She had every right to defend her home. Especially since you failed to proclaim an official statement of war. But, then again, neither did miss. Maleficent. So technically the kingdom was still king Stefan’s and he refused any prosecution.  
The court does wish to remind Prince Phillip that kissing sleeping strange girls is considered quite the offence. But, again, since Miss Aurora didn’t press any charges the court resides in letting its protests be known.
The three fairies, however, are to be tried at a later date for illegal weapon smuggling.
 
Miss Fa Mulan, please rise.
It is the court’s ruling that you are found innocent of the murder of Shan Yu.
Regardless of the fact that you -a woman- dressed up like a man against all forms of army regulations the court finds you not guilty of murder. Since the situation involved war a lot of actions are permitted. However, willfully luring you’re the victim Shan Yu to the roof, pinning him down there and blowing him up by fireworks rocket does imply a well thought out plan. In a non-war situation therefore you would be tried for first degree murder.
However, as the court stated before, it was a time of war. Moreover, Mr. Shan Yu was in fact the chieftain of the invading Hun army and –considering his reputation- solely interested in the bloody defeat of all those who opposed him. Since you opposed him, a right you posses in rules of war, a murder claim cannot be made. So, miss. Mulan you are free to go. Now please wear a dress.
 

Mr. Beast please rise.
It is the court's ruling that you are found innocent of the death of Mr. Gaston LeGume. He attacked your home under false pretenses that -evidence shows- he himself fabricated. And when you lay wounded on the ground he attacked in a most cowardly fashion. The self-defense claim is therefore accurate. Moreover, you yourself could –at the time- not imagine that Mr. LeGume would lose his balance and fall to his death.
However, the court does wish to emphasize its disdain for you multitude of kidnappings and imprisonments. It is the court’s believe that this is a direct result of psychological trauma received when you were transformed aged eleven. Therefore the court orders a full psychological evaluation on you and your latest victim miss. Belle.

Oh, and miss. Dressing cabinet will be charged for murder at a later date. Crushing somebody under you weight is murder. No question!
 
Mr. Fagin, please rise.
It is the court of New York's ruling that you are found innocent of the death of Mr. William Sykes. The court does feel, however, that you are in need of a bath. More on that later.
It is obvious to the court that you thwarted a kidnapping in progress. Though there are some sources that claim that you are responsible for a previous kidnapping of a pussycat named Oliver, which lead to the kidnapping of Jenny Foxworth. However, all these sources retracted their statement.
Having received the knowledge of the kidnapping of Jenny Foxworth -instead of calling the police you decided to help her on your own with the help of your pets. It is this choice that the court rules as highly inadvisable. The chase that occurred afterwards, therefore, is a direct result of this foolish action.
But, the court reasons, the death of Mr. William Sykes could not have been foreseen at this point since your main objective was the rescue of the girl Jenny Foxworth. Therefore the following chase and the death of Mr. Sykes are unfortunate consequences. The court is even willing to admit that driving a car on a subway track was such a foolish thing to do that Mr. Sykes’s death was at his own hands.
Therefore you are cleared of all charges and recommended for you help. However, two things the court does wish to make known to you. First you will receive daily visits from a social worker. Your lack of general hygiene and the fact that you live in terrible conditions surrounded by far too many pets’ causes the court’s concern.
Second, the butler of the Foxworth family wishes to stress the fact that he'd like his olive press, radio and mixer back ASAP. If you would be so kind. And I would like to add my wallet to this list. I think that Chihuahua with the bandana took it.

Mr. Carl Fredricksen please rise.
Before we proceed; is your hearing aid on? I SAID IS YOUR HEARING AID ON?
You are found innocent of the death of Mr. Charles F. Muntz. As the various reports (some from talking dogs) show you were protecting the young wilderness explorer named Russell. Though the court does feel that the boy was acting out quite foolishly in his attempt to save the rare bird nicknamed ‘Kevin’.
To note here: A foolishness, the court believes, is the direct result of neglect by his parents. Luckily Mr. Fredricksen has taken the boy under his wing.
The lawlessness of the lands where these events took place does not disallow such actions. Mr. Muntz was free to capture the bird; Russell was free to save the bird, as it were. However, Mr. Muntz threatening of Russell did allow and even required Mr. Fredricksen to act. The fact that Mr. Muntz death happened due to entanglement and the downside of gravity is a sad result of this defensive action.
The court does, however, have one final question for Mr. Fredricksen. Do you own that airship outside? Do you have a flight permit?

Mr. Flik please rise.
The court rules your claim for self-defense justified. The fact that grasshopper Mr. Hopper tried to murder the ant Queen to sustain his oppressive position speaks in favor of your rebellion. That Mr. Hopper then cornered you in full attempt to kill you is the single fact that makes your following ploy one of self-defense rather than outright murder. Namely tricking Mr. Hopper in believing that a bird was not –in fact- real caused his ‘death by chicks’-as it were. There is an argument to be made that: not informing Mr. Hopper of the real danger looming is a serious case of criminal intent or willful neglect.  But considering the direness of your situation at that time Mr. Flik the court cannot see any other outcome wherein you both would have survived. Now please get out of my kitchen.

Mr. Milo Thatch please rise.
The court can (sometimes) be swift in its judgment. The Atlantean court acknowledges that Commander Lyle Tiberius Rourke indeed died by your hands. You should have known that cutting him with that shard would mortally change him it. However, considering the horrendous acts he did before (which resulted in the rebellion) and the fact that he did try to kill you at that time the court can only say that your self-defense plea has been granted.

Reckless endangerment and Criminal negligence

The distinction between recklessness and criminal negligence lies in the presence or absence of foresight as to the prohibited consequences. Recklessness is usually described as a 'malfeasance' where the defendant knowingly exposes another to the risk of injury. The fault lies in being willing to run the risk. But criminal negligence is a 'misfeasance or 'nonfeasance' (…), where the fault lies in the failure to foresee and so allow otherwise avoidable dangers to manifest.(wiki)

In short: In criminal negligence the actor could have seen the potential dangers on the horizon but failed to act upon them. Whereas recklessness claims the same but stresses the unwillingness to act upon them.

Mr. Tarzan, please rise.
It is the court’s ruling that you are found innocent of reckless endangerment.
You -being raised in the jungle- were far more capable of using your surroundings than Mr. William Cecil Clayton. The court (currently disregarding the fact that he was firing at you at the time) finds it evident that you willfully threw several vines towards the man. You could have known that he would be incapable of dealing with them in the -for you- 'normal'- way. And, therefore, you are indirectly responsible for his death.
The claim of self-defense is considered ungrounded by the court since the possibility of fleeing was available to you at all times. You willfully sought out the confrontation to release your friends the apes. However, since the jungle you lived in all these years doesn’t possess any human laws -and the fact that the claims of kidnapping do not encompass the ape-community at this time- Mr. Clayton was free to take whatever he wished. But the duality of this case also stipulates that you were free to prevent Mr. Clayton from taking these apes. ‘No-man’s land, no-man’s rules’- as it were.
However, since you showed willingness to save him. And that Mr. Clayton 'till his final fall showed a dedicated unwillingness to be helped from his mortal peril it is the court's ruling that you are cleared of all charges. It is like buying round to a friend in a bar. You could have known he'd get into his car afterwards and even though you tried to talk him out of it he still went. The death of Mr. Clayton therefore hangs around his own neck.

Mr. Peter Pan, please rise.
It is the court’s ruling that you are held responsible for serious bodily harm to Captain James Hook.
The fact that during a duel you cut off the captain’s hand and fed it to a crocodile speaks highly of ungentlemanly behavior. The court does acknowledge that captain James Hook is a pirate. And that you –as a free spirited boy-are free to protect yourself in the lawless lands of Neverland. However, the origins of this feud between the two of you remains mysterious. Nonetheless, cutting off a hand and setting a crocodile’s appetite dead-centre on Captain James Hook is considered very bad sport.
But, as stated before, since Neverland does not follow any law you are hereby free to go.
Having said that the court does require you to appear at a later date when we are going to discuss the matters of multiple kidnapping charges and infidelity.

Mr. Pinocchio, please rise.
It is the court’s ruling that you are found guilty of reckless endangerment.
Where to begin. Under aged smoking, drinking and vandalizing. Tsk Tsk. Moreover you left your friends behind on an island to be sold as livestock. Mules if our papers are correct. All very, very ungentlemanly behavior. But, since you are a young boy the court is lenient in our judgment. And yes, your claims against Honest John and Gideon (fraud), Stromboli (kidnapping) and the coachman (slavery) are currently under investigation by the court.
However, here you stand trial for the death of dear mammal Monstro the whale. After failing to visit your first day at school and sequentially running away from home (though the court acknowledges a possible other turn of events) your adoptive father Geppetto went out searching for you and got swallowed by Monstro the whale.
This is naturally a crime committed by Monstro. And would he still be alive today the prosecution could certainly make a kidnapping case. However, once you re-found your father you set into motion a plan to escape the belly of the beast. Setting a dangerous fire inside a whale’s belly is a clear example of reckless behavior to Monstro’s health. The resulting chase, therefore, -the court considers- is a direct result of aggravating Monstro.
However, the court rules that, even though you set the fire. The fact that Monstro dove head-first into a cliff wall –which killed him- was never your intention. Therefore the prosecution, considering the age of Mr. Pinocchio, decided to drop all charges since Monstro never should have devoured Geppetto in the first place. But the notion of ‘reckless endangerment’ will be put on your record until you are of age. Next time, dear Pinocchio, please listen to your conscience.

Involuntary manslaughter

A killing that stems from a lack of intention to cause death but involving an intentional, or negligent, act leading to death.(wiki)

In short: the actor had no intention to kill the victim. However the actor is considered responsible for the death caused.

Mr. Gurgi, please rise.
It is the court’s ruling that you are found innocent of involuntary manslaughter.
Seldom has the court had to deal with such a strange case. Death by sacrificing life. The court acknowledges that you executed your plan with the utmost predetermined determination. However, considering the fact that the goal was to destroy a legally previously obtained item called the Black Cauldron -which was, in turn, stolen from your master; any claims of predetermined murder against Mr. the horned king are considered ungrounded.
Moreover, considering the fact that the victim -the horned king- at the time was raising an illegal abomination of a war army it is this court's ruling that you prevented further bloodshed. Therefore it is the court's ruling that you a recommended and rewarded with at least twenty apples.

Mr. Eugene Rider, please rise.
It is the court’s ruling that you are found innocent of involuntary manslaughter.
Evidence shows that you were tricked into the tower on that fateful night. Moreover the deadly blow you might have committed was against Mrs. Rapunzel (your spouse)’s hair. And she refuses to press charges because -and I quote- she: "loves him.".
For a short while the court's investigators suspected a conspiracy. But as evidence shows, cutting of the hair only caused a deadly panic in mother Gothel. A panic you could not have foreseen. It is this  panic that caused mother Gothel to age back to her true age. Therefore it is the court's ruling that her death was long overdue.
 
Mr. Simba please rise (and get that silly monkey off my back please)
It is the court’s ruling that you are found innocent of involuntary manslaughter.
Several eye-witnesses stated Mr. Scar was still alive after you threw him from pride rock. And that you only threw him off after you banished him by kingly decree –which he in turn refused to accept.
However, since your banishment of all the hyenas from the pride lands no-one responsible for the true death of former king Scar can be found. This case is therefore considered closed until the true murdered is apprehended.

Mrs. Tiana of Maldonia please rise
The court’s judgment is cut and clear on this one: destruction of property. However, whether you had any knowledge that destroying Dr. Facilier’s necklace would result in his death is something the court is unclear about. Taking into account that Dr. Facilier’s –for want of a better word- ‘friends’ are actually responsible for his death you are cleared of all charges. The court would only like to add that we acknowledge that: ‘it’s not easy being green’.
 
Mr. Baby Jack Jack Incredible please rise.
It is the court’s ruling that you are innocent of the death of Buddy Pine aka Syndrome. That fact that Mr. Syndrome was at the time attempting to kidnap you also speaks in your favor. Though the court had to sign a secrecy-statement that disallows to reveal the true events that lead (ha!) to your escape. It can be noted in the minutes that Syndrome’s unwisely wearing of a cape resulted in his death. Therefore his death is of a fault of his own. Or to quote Edna Mode’s previous testimony:”Fashion fatality.”

Mr. Quasimodo please rise.
After the death of judge Claude Frollo it is tasked upon this newly formed court to pass judgment on you Mr. Quasimodo concerning his death. And as the late Mr. Frollo’s judgment was swift so will ours be. You are cleared of all charges.
Numerous eye witnesses (including some very annoying gargoyles) have reported that Mr. Frollo willfully broke the sanctuary function of the holy church and chased you and Miss. Esmeralda across the roof of the Notre Dame with full intend to kill. When, during your flight, he attacked you and fell. And even then you tried to save him from mortal peril. Only to be repaid by him attempting Miss Esmeralda’s death again. The following fall, therefore, the court believes is divine intervention. The court will miss judge Frollo’s singing voice, but his death is not your fault.
 
Murder in the third decree

Voluntary manslaughter: (…), is any intentional killing that involves no prior intent to kill, and which was committed under such circumstances that would "cause a reasonable person to become emotionally or mentally disturbed".(wiki)

In short: a murder committed at the opportune moment but without any previous planning. Moreover the mental state of the aggressor here at that time is in question.

Mr. Iago please rise.
It is the Sultan's ruling that you are found innocent of the death of former grand visor Jafar. Taking into account the following: The fact that former grand visor Jafar was -at that time- attempting a coup d’etat. The fact that, at multiple times, he replied to your verbally expressed protests with aggression before ignoring them. And the fact that you lay wounded on the ground and where therefore incapable of ‘thinking straight’ when you performed the –as it turned out- mortal action-as it were. These are enough reasons to clear you from any misdoings. Moreover, the court acknowledges fact that former grand visor Jafar at the time was a genie, he was therefore already dead.
Which brings the court to Mr. Aladdin and his companion Mr. Genie. The Genie-contract clearly states that a genie cannot kill somebody. Then how, the court does wonder, can a genie turn a mortal man into a genie?
Considering the fact that Mr. Aladdin tricked former grand Visor Jafar into wishing the state of being a Genie upon himself does point to Mr. Aladdin as an attempted assassination. But, being a inhabitant of Agrabah it is his duty to protect the city and his people. And since former grand visor Jafar was -at the time- (again) involved in a coup d’etat his trickery can be put down as defending the city.
Therefore you are all free to go. However, the court stresses Mr. Genie to stop killing people even if the ask it themselves.
 
Murder in the second decree

Second-degree murder: any intentional murder with malice aforethought, but is not premeditated or planned in advance.(wiki)

In short: a murder committed at the opportune moment but without any previous planning.

Mr. Bernard, please rise.
It is the court’s ruling that you are found guilty of murder in the second decree.
The prosecution argued quite convincingly that Mr. Bernard was more than capable of helping Mr. Percival C. McLeach out of his dire situation. In fact it could be argued that, even, if Mr. Bernard did not help Mr. McLeach could still be alive today.
In that scenario -should Mr. McLeach have fallen Mr. Bernard would have been found guilty of criminal negligence since -as the evidence shows- the little mouse has more than enough strength to save Mr. McLeach.
It is also questionable why Mr. Bernard pushed Mr. Mcleach over the edge. It was obvious that Mr.  McLeach was –at that time- incapable of furthering any harm to his intended victims. So why this interest by Mr. Bernard to further Mr. McLeach his predicament?
It is the court's ruling that Mr. Bernard is found guilty of second degree murder but with the notice that he receives a full psychological investigation. The evidence clearly shows a 'childlike' wonderment of cause and effect oblivious to the mortal situation of the victim -Mr. McLeach. The court considers this a possible psychological trade of a true sociopath and therefore it is the court's ruling that the honeymoon with miss Bianca should be postponed.

Mr. Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy, and Dopey please rise.
It is the court’s ruling that you are all responsible for the death of Mrs. Evil Queen, thus murder in the second degree.
Regardless of the fact that Mrs. Evil Queen –in disguise at the time- attempted the murder or Mrs. Snow white you willfully chased the victim Mrs. Evil Queen to her death as she fell of the cliff. At any time would you have been capable of stopping your pursuit or even calling in the authorities –since it’s the court’s believe that –at the time- the true identity of Mrs. Evil Queen was unknown.
Nonetheless, you chased her until she died and therefore you are considered guilty of murder in the second degree.
At a later time the court also wishes to press charges of necrophilia against the prince. It is the court’s believe that stumbling upon a coffin bound corpse in the woods with a group of mourning dwarfs surrounding it, no less, is no reason to kiss the dead body. A psychological evaluation might become part of our investigation.

Mr. Hercules please rise.
How does one kill a God? Especially the God tasked with death on a daily basis. Technically- Hades is not dead. But, rest assured, the court has it from reliable sources that he’s not very happy about his current predicament. True, raising the titans, stealing your sweetheart and defying your father: our lord Zeus –all in one day. It is the court’s believe he got off lightly. Nonetheless after gaining Godlike status and still hitting him into the river Styx feels a bit like kicking somebody when he’s down.
But, considering all this, and having consulted with our lord Zeus we-the court- judge that you are cleared of all charges. One final parting note though: prophesies tell of nasty events in your family in the future, so a bit of a warning on that regard.

Murder in the first decree

First-degree murder: any intentional murder that is willful and premeditated with malice aforethought. Felony murder is typically first-degree.(wiki)

In short: a murder that has been premeditated and executed. A person planning a murder in advance and then committing the deed.

Princess Cinderella Charming, please rise.
It is the court’s ruling that you are found guilty of murder in the first decree of Lucifer the cat.
Where to begin with this heinous of crimes you committed? The court considers you the incapable of listening to any rules and therefore –the court wonders- if you will follow this ruling.
Your protector and stepmother Lady Tremaine had allowed you to go to the ball if you could find a suitable dress. You couldn’t and therefore opted to stay at home. Still, afterwards you went, without informing your stepmother.
Then, at a later time, she ordered you to be locked in your room as punishment and still you escaped against her wishes. And during this escape you committed your crime. The cat Lucifer –following his master’s command- prevented the mice in orchestrating your escape. In return you ordered the bird and horse to collect the dog Bruno. Knowing full well that dogs and cats don’t mix the court-therefore- finds you guilty in orchestrating the death of Lucifer the cat.
However, since you are currently the princess of the kingdom –alas- the court has been ordered to pardon you. Cat killer!

Mrs. Ariel and Mr. Prince Eric, please rise.
The court wishes to judge you on grounds of a coup d’etat. Miss. Ursula the sea witch had lawfully received the crown of the undersea empire from king Triton the day you two rebelled against her.
When Queen Ursula –at that time- defended her rule your, to be, husband Prince Eric, killed her by sailing a ship into her chest cavity and mortally wounding her.
Though the court acknowledges elements of blackmail and foul play at –for want of a better word- play here on Queen Ursula’s behalf the law is nevertheless clear. Queen Ursula was the rightful ruler at that time and you conspired to murder her.
However, since you succeeded –and history tends to be written by the victors- all charges are dropped as you and Prince Eric are fully pardoned.
The court is currently investigating your queenly wish to have all eaters of fish to be trialed for murder. Such an extensive case might take some time. Though the court does –in advance- wish to highlight to Mrs. Ariel the unsavory wardrobe-choice of wearing the remains of fish (shells) as a brassier.

The priest who performed the wedding ceremony of Prince Eric’s first wedding, however, has been tried and found guilty of indecent exposure.