I don’t
like most contemporary war movies. Jarhead, the green zone, The Kingdome, they
are not for me. But there are always exceptions; Eye in the sky is exactly
that: One great exception. And I think, mainly, because it’s staged more like a
theatrical stage play rather than an (action) movie. It is, in this sense very
reminiscent to -the other favorite of mine- Lions for lambs.
The theatre of war.
The whole
movie only knows /shows six sets -that’s it. And each and every of the
handful of characters that inhabit these sets have his or her strengths and
weaknesses. Strengths and weaknesses that naturally conflict with other
characters. So like any good play there’s
this constant brewing of characters conflicting- trying to coerce people,
trying shove responsibility away-it is a fascinating watch.
Combine
that with high tech –James Bond-esque gadgets like a camera kolibri and beetle
and you’ve got a very interesting spy thriller going on.
A divide in tension.
But there
is more. Because a it is basically a stage play –with the few rooms to emphasize
the fact- with all the action taking places many miles from where the main
characters are; a certain divide in tension occurs. One the one hand the
direct tension on the ground in that Kenyan village, where people are going to
die. And, on the other, the indirect morality tension of the people giving the
orders.
To explain:
Helen Mirren’s character is never in danger. Aaron Paul’s character is never in
danger. Yet they spy on, and have direct influence on the lives of, other
people. The only people who are in real danger
are the people in that small Kenyan village –and most of them are dangerous
extremists.
So the
tension for the main characters comes not from physical hurt but mental hurt.
‘If I pull this trigger and willfully execute innocent bystanders – could I
live with that?’ Or, to name the famous (Biblical) example: ‘Could you kill one
child to save fifty?’
Eye in the
sky plays with these concepts. It plays with morality; It plays with
the responsibility that comes with it. And even, to some extent the invasion of
privacy. The movie plays with the fact that these choices are so very far away,
yet you see them HD on the conference screen and so they are (so) close. Whereby each and every character reacts to what
they see, what they know and get into conflicts with other characters.
Monica
Dolan’s character, for example, basically represents both the voice of reason
as the pure side of passivism. And, knowing the dangers of the terrorists I –as
the audience- felt a bit conflicted about her. Even though this character was absolutely
right in her opinion.
And then naturally the situation escalates into a Hitchcockian nightmare.
No, Eye in the sky does not have a happy ending. But the movie leaves it open for you to interpret. My worldview is probably a bit darker than most. So the final line in the movie: ‘Good job soldiers.’ (if memory serves) leaves a very bitter taste.
Acting.
The actors
elevate the piece. And though, at time it felt a bit lagging (maybe ten,
fifteen minutes shaved off would have improved it a bit); just seeing Helen
Mirren’s character not being able to sit still, still gives the movie a
dramatic boost.
Which brings me to the late Alan Rickman. This is a man I admired all through my life. He was a kind soul who could play a villain so dastardly well -as I honestly believe only good people can. And though he might never have liked to be called a 'villain' (and certain not solely being remembered as one) I think his small part in Eye in the sky tells you a lot about his skill as an actor.
In it he plays an army man with a wife and family. This character is caring, kind but –he has to be- ruthless as well. And it’s this conflict between sweet and dark that Rickman bring to the table effortlessly. Eye in the sky will go down in the annals as his last movie; and it is a good respectful part to end with. I will certainly miss him!
Which brings me to the late Alan Rickman. This is a man I admired all through my life. He was a kind soul who could play a villain so dastardly well -as I honestly believe only good people can. And though he might never have liked to be called a 'villain' (and certain not solely being remembered as one) I think his small part in Eye in the sky tells you a lot about his skill as an actor.
In it he plays an army man with a wife and family. This character is caring, kind but –he has to be- ruthless as well. And it’s this conflict between sweet and dark that Rickman bring to the table effortlessly. Eye in the sky will go down in the annals as his last movie; and it is a good respectful part to end with. I will certainly miss him!
In short:
Eye in the sky is a stage play of a contemporary war movie. It touches on
themes like privacy, morality and responsibility and lets characters clash over
it. It is a smart movie about our current high-tech age of terrorism which
dares to ask some interesting questions. If you are expecting explosions and
brave soldiers fighting you might have to pass on this one. But if –like me-
you would like your morality questioned this is a very interesting movie to
watch.
No comments:
Post a Comment