The video resurfaces when a college professor
buys a VCR on a flea-market. He sets in motion a series of events that brings
Samara to the digital age. A series of events that will change the lives of two
young lovers forever.
Following
the tradition of horror movies from the past Rings (the third outing in the series) is lesser than part two,
which in turn was lesser than part one. I expect that in time we will get
Samara in space.
Now I
shouldn’t be too hard on the movie, it’s a fun outing. It’s just that this
movie is brimming with excitement and love for the material yet it doesn’t
really come to fruition. Like coloring a drawing with all the wrong colors.
The story or Orpheus. One
character called Gabriel. A clock set at 7:07. You can certainly tell that the
creators wanted to add some cultural mythology to the video-legend.
Basically
the biggest problem with Rings is, in
fact, the title itself. Just going with the title I was certainly expecting
several people getting Samara coming over. Considering our current youtube-era
I was expecting some Samara vengeance on a worldly scale. Yet that doesn’t
happen (until the final end).
For a
moment there I really did think this movie was going to take the expected
route. A college professor starting a club around the video; that’s a massacre
waiting to happen. I couldn’t wait before Samara got to have some fun in the
auditorium.
But then,
suddenly, the movie shifts gear and turns back into an investigative plotline. The
airplane-opening scene is never referred to again. All those college kids (who
are probably going to die) never referred to again. Gabriel’s beef with the
police –no mention.
So
basically this movie managed to concoct itself into several story-strands. And
I can’t see the reason why.
It would have been far better if the movie had
cut several scenes out. Like the airplane scene or the video-club.
Or added the title “two years
EARLIER”…instead of “Later” to it.
Though Rings does oversimplify things: the protagonist talking to herself
to inform the audience.
As any
other audience member I like to know the back-story of the villain. But, to be
honest, after a while you’ve got all the background information about Jason, Freddy, Jigsaw and
Michael Myers you need.
The same
goes for Samara. I liked the back-story, but now we should stop investigating
any more. Otherwise you have to resort to contrarieties like siblings or
aliens. So basically with Rings the
investigative angle for the Samara character is over.
One question does linger
though: How did Samara get her powers?
Is she the child of a water demon like
the original version?
But, then again, do we need an answer to this question?
In good
sequel fashion Rings didn’t dillydally
with repeating the big reveal from part one (Samara is pure evil) early on. So
in coming sequels we need to get a new plotline going.
Spoiler: Who knows, maybe because the video
is now widely distributed, Samara stops killing individuals and has bigger
plans.
Rings did end with a step in the right direction for
that. Which, again, showcases the love the creators had for the original two
(American) movies. Too bad they also filled this movie with some mindboggling
tropes: a skype call that ends suddenly, a phone out of juice, one or two
obvious plot elements that the smart people on the screen don’t seem to
understand (the mark on Julia’s hand, the visions, Samara being evil), bad
decision making (“there’s an evil ghost after me, let’s go out on my own!”),
some plot holes (what about Julia’s mom?) and, of course, casting somebody
known for playing villains as the…
But again,
staying positive, I do like the fact that Rings
kept itself bound to the fictional universe of the two previous movies. Despite
the bad press I always enjoyed part two
and Rings pretty much redid Samara’s
plan. This is a consistency I like. Samara is an evil child ghost – she’s not a
James Bond-villain plotting new ways of extortion. She has one goal and one
goal only.
Spoiler: My theory is this:
Samara wanted her video to be seen by many because she wanted to find the right
candidate to bring about her rebirth.
The style
of the movie is definitely on par with the rest of the series. Though I think
that Gore Verbinsky (the director of the first movie) did the references back
and forth between real life and the Ring-video (those little flashes) a bit
more subtle.
The overall
acting is perfectly fine, if a bit bland – but that has to do with the desired
action and dialogue (and the editing at one time). Being cruel I do have to say
that the two leading actors didn’t really leave a lasting impression on me
It was actually one of the
extras in the auditorium-scene who couldn’t stop smiling I remember best.
But they
weren’t annoying or terrible -and actually rather sweet together- just, sorry
to say: forgettable.
Overall, It’s just the script that doesn’t really work. Being several stories at once. Because of that you don’t really know where the movie is going towards (Why do the two main characters break into the grave again?). And it looks like the movie doesn’t know either. Halfway through the movie actually forgets the looming danger of Samara being spooky altogether. And, by my count, the movie ends on day three.
But still,
as a back-story to Samara, Rings is
quite enjoyable. Yes, it isn’t the best movie out there. Yes, you can see the
ending coming for miles. Yes, there are quite a collection of tropes to be
found throughout the movie. And, definitely, yes, this movie doesn’t sell you
what you actually want until the final ten seconds. But, then again, you’ve got
to love Samara.
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